It’s been two days since I’ve stepped foot outside thanks to the four inches of snow the recent southern blizzard has dropped on us this week. The plan was to have my new blog and site up and running this week but being all of us are iced in, that isn’t happening.
I will take this opportunity however to let you know that this domain, zarias.com, is going to be moving under the zackarias.com domain. I’m bringing everything together under one domain now. Portfolio, blog, workshop, etc. This domain will stay up for awhile and then become a redirect. All of this content will be in the new blog.
I’m also pleased and/or upset to announce that I’m dumping Media Temple as the host. I’ve had it with them and their lack of care or inability to keep my sites malware free. I’ve done my research and the mass of complaints about WordPress malware issues point back to blogs hosted on Media Temple. They denied it for the longest time and would not lift a finger to help clean my sites. Now they seem to help customers out with cleaning their sites but they won’t or can’t stop the infections. I know it’s on their side because I have friends with parked test domains on Media Temple and those sites, that no one knows anything about, are getting infected as well. I have a client only domain parked on Media Temple that has been infected as well. I’ve done all I know how to do to keep this site clean but I deal with at least one infection a week.
I’m not going to say who I am moving to right now because I’m going to get 100 comments on why or why not to go with that host. I will tell you that it isn’t one of the “big ten” that hit most of those whack web host review sites. I’m going for a smaller server company that isn’t on the h@ck3r5 radar like the large hosts.
So, this site will be down for a bit and then moving domain names all together. That will happen as soon as Atlanta thaws and I can meet up with our local web designer to get the new site uploaded, this blog transfered over, etc. Should be in less than a week!
I hope you are doing well in the new year. See you in Miami or Tampa this month at the OneLight?
Ahhhh. The ubiquitous image. What is it saying? Peace? Thoughtfulness? No. It is saying frustration. Or is it peaceful frustration while being thoughtful? Girl. Hair. Flipping. Black clothes. Chain. Dreds. I don’t know. #whatev.
So, to continue on with the talks about the photo business we’ve been having around here let’s talk about stock photography.
The OneLight Field Guide is finally out! It only took 11 months and that many redesigns but it was worth it. Looking at the state of the guide now compared to where it started I’m glad that it’s late. It’s better than the first few editions.
The guide showcases more than 50 images ranging from bands to models to brides. Mostly bands and models. For the first half of the guide I explain the gear and the settings used to create the image. For the second half I showcase images using the same gear and approximate settings. You’ll find tips and tricks throughout the guide that go beyond the scope of apertures, shutter speeds, and modifiers. I walk you through single light sources and then introduce you to multiple lights and how to deal with that. It’s made for folks who would like to keep a cookbook of scenarios on hand while out shooting.
Everything is straightforward and easy to grasp. It is made to complement the OneLight DVD and/or workshop so it isn’t supposed to be a step by step by step guide on how to use flash. That’s covered at length in the DVD and workshop. If you are comfortable with the basic principles of off camera lighting, but you have not been to a OneLight workshop or have not seen the OneLight DVD, then you will still enjoy this guide.
I developed this guide for people who came to the 2010 OneLight workshops. Enough folks heard about it and asked if I would release it for sale. I went back and forth on that for awhile and was not going to do it because I felt the cost of doing so wasn’t worth it. Then I started reworking it through MagCloud and I was able to get the cost of the guide under $30. If you were a participant at a OneLight this year then you should have gotten an email from Meg already. If you did not, check the email address that you signed up for the workshop with or check your spam filter. You have to reply to her through that email address to get this shipped to you at no charge. For those that have replied, your order has been placed and will be shipped to the address you provided.
I know what many of you are going to ask… Why in print? Why not a PDF download for $5 or something? I’ve gone back and forth about that a number of times and I will most likely revisit my thoughts on this at some point… but for now… it is in print and print only.
We shoot with digital cameras. We look at our images on a computer. We read blogs. We look at more digital photos than we can count. For this project, and the next, I wanted it to be in print. Something you can hold on to that doesn’t also check email. To be very honest with you, it would be MUCH easier to just release this as a PDF. It would also be more profitable to sell. It costs me more and makes me less to make it available in print but it has more value in print so I’m going with that right now.
Plus… This is a dry run for a new project that has been kicking around in my head for over a year. I’ve been wanting to launch a photography magazine for awhile now and this is the “first issue” of that magazine. Now, the magazine in my head looks completely different than this field guide. The field guide is just a taste. A scratch on the surface of what I’m planning. DEDPXL is the name and it will be a semi-annual to quarterly magazine launching in January. It will be print on demand like this guide and it will be an organic publication that starts with people I know who have a lot to offer.
It will be independent as f#*%. Meaning, we will not be accepting advertising or sponsorships for this magazine. You can not buy advertising space. You just can’t. There won’t be gear reviews so don’t send your stuff. It will be a showcase of emerging work, insights into the running of a business and the photo industry as a whole, how to’s on the technical, and a sounding board for a number of voices in the industry… both positive and negative. Business & Craft.
I will not be taking submissions for articles right now. It is a “don’t call us, we’ll call you” kind of a thing and my list is already full for 2 or 3 issues. (Not that I’ve gotten in touch with all of you on that list.) There will be a call for certain things here and there. You’ll see. I think it’s going to be pretty awesome and there isn’t anything quite like it on the shelves today.
Lastly, I’m not doing this as a new business venture. It’s a personal project. I can’t wait to get it off the ground. Since I can’t find a hobby, I’m going to start a photography magazine.
Or… Why does this photographer have to be so cynical?
I’m having “one of those days”. I’m stressed. I have more on my plate than I know what to do with. End of year means taxes and accounting which means I’m ready to find that short pier to take a long walk on. I saw a “Top 10 ways to become a pro photographer” link on Twitter this morning. Those are becoming more and more popular these days. And, IMHO, they are becoming more lame. Things like “Order business cards!” or “Put your images on a website!”. Another fun one is “Play with different lighting!” and those are followed by three or four vauge sentences that have zero value to them. More noise. Less signal.
Being a professional photographer can never be summed up in any sort of “top 10″ list. I could make a top 10 list of why an 85mm 1.8 lens is a good lens. I could also make a top 10 list as to why an 85mm 1.8 lens is not a good lens. There are 20 list items right there and it only scratches the surface of a single lens. If you have to add “put images on a web site” as a top 10 list of things to do then who in the hell is your target audience? Infants? And I’m not talking metaphorical infants. Order business cards? Note to bloggers… if you have to state the bare bones minimum obvious… don’t bother.
Why am I so stressed out today? Because being a professional photographer, or rather, being a small business owner is a hard effing job. Last night Meg and I were sitting at our dining room table. The kids were in bed. The kitchen was a wreck. Laundry is coming out of our ears. The dog needs a bath. She has a migraine. I have muscle spasms in my back and we were in a pretty heated discussion about taxes, accounting, bank statements, expenses, budgets, and the like. We were two team members of the same team having it out in our own locker room. She was stressed. I was stressed. Running a business and being a photographer is amazing but it takes a toll on you at times.
Last night I sat down at the dining room table and announced that I’m ready to throw in the towel. I want my job back at Kinko’s. I want to go to work, drone on for someone else, and come home and turn it off. I want someone else to worry about taxes. I want to look forward to always having two days off a week. I want to go back to being anonymous and useless and overlooked. That’s how I felt at Kinko’s and last night it was the greenest grass I’ve seen on the other side of the fence in a long time. This is coming off the heels of hosting Joe Effing McNally in my studio just the night before. One of my heros was in MY studio and the very next day I’m ready to take a match to the whole damn thing and walk away. Note that I don’t want to throw it in because I’m comparing myself to others. It’s just hard sometimes to be a husband and father, run a business, and engage with people. Sometimes, no matter how many good things are going on, sometimes… you just want to give up.
ETA – I am in no way going to do this of course. By God’s good grace I’ll be doing this till I die.
So this morning when I see this insane, stupid, “captain obvious”, top 10 things to be a professional photographer list I wanted to scream at the internet web site page I was reading. It might as well have been a top 10 list on how to fly a 1980′s era Soviet fighter plane that goes like this…
#10 – Climb into the cockpit.
#9 – Familiarize yourself with all the dials and stuff.
#8 – Learn about how jet engines work and why they are used on air-eee-o-planes.
#7 – Go forward real fast and when you’re at that good speed make the plane go up in the air.
Do you see how absolutely useless this list is to someone who would actually want to fly an 80′s era Soviet fighter plane? So a “how to be a professional photographer” list that includes things like “make a portfolio” or “try different lighting and stuff” is an exercise in being useless. It’s an exercise in making more noise than signal.
So in my typical “escape reality and do something fun instead of something important” I thought I would come up with a quick top 10 list to becoming a pro photographer. Let’s see if we can make so much noise it actually becomes a signal.
#10 – Breathe! – I can’t tell you how important it is to constantly breathe when you are professional photographer. Not only does it help you make great photos but if you can keep breathing long enough after a photoshoot then you’ll be able to collect the check from the client. Try different kinds of breathing too! In through the nose and out the mouth. Or in and out of the mouth. Talk to your customers about how you like it in and out of the mouth.
#9 – Try out a digital camera!- Boy howdy! Digital cameras are becoming all the rage in 2010! For only a few hundred dollars or a few thousand dollars you can take photos that don’t need film! Digital photography allows you to take pictures and see them as soon as they are downloaded on a computer! It’s almost instant! The Russians have now developed computer tools to work on your digital photographs! Check out this internet web site with all the details! If you buy a digital camera make sure you get a good one like a Nikon, Canon, Pentax, Olympus, or iPhone.
#8 – Everytime you see a tree… take a photo of it! – Have you ever thought about how important trees are in the world? They help us achieve number 10 on this list! Everyone loves trees and if you have a lot of pictures of trees everyone will love you. When showing your photos of trees to people talk about how you were thinking about the innocence of that tree at the moment of capture. Or point out the transcendental qualities of light and form as the moon beams of uranus waft through the branches. People will think you’re quite the artist.
#7 – Make a portfolio! – Take two or three hundred of your best photographs and make a portfolio! You need this to show to people how good of a photographer you are! I like to make mine out of half inch galvanized steel because it’s really impressive and useful for many other things in life!
#6 – Take pictures of kids! – Parents love their kids and they love photos of their kids! If you don’t have kids then go to your local park and take lots of photos of children. Try shooting from different angles like from inside the bushes, behind trees, or from your parked car for really “exciting opportunities.” You’ll soon meet all of the parents of the kids you are taking photos of as well as lots of local law enforcement officers who, lots of times, have kids too! If they come up to you with baseball bats in hand be sure to have your portfolio from #7 with you. That steel cover is going to be useful to protect yourself. Drop a few of your business cards as you run away. Always market yourself!
#5 – Move to New York City! – Lots and lots of photographers are in New York City. Lots of people who love photography are in New York City. It only makes perfect sense to grab your camera bag and move there to open as big of a photo studio as you can find! Fill that studio with things like backgrounds, lighting, and tripods of different sizes and colors and you’ll be on your way to the bank! I’m not sure what you’ll be doing once you get to the bank but it might involve a ski mask and a paper bag with a note attached to it. Ask the teller if they have kids.
#4 – Join the social media revolution! – With internet web sites like myspace and friendster becoming so popular these days you’ll need to be on there to meet people. You’ll also find many opportunities to win free stuff for all of the online surveys these internet web sites have to offer! Add lots of spinning cameras that make noises to your internet web site pages because you want people to notice you and nothing is better than animated gifs of cameras. Also try out Xanga. Check out another awesome version of my blogto see what I’m talking about!
#3 – Make your own lenses! – Did you know that professional lenses can cost up to $189? As you are getting started you might need to save some money and one way to do that is to make your own lenses. The most important thing to remember is the convex lens curves outward; a biconvex lens curves outward on both sides, and a plano-convex lens is flat on one side and outwardly curved on the other. There are also concave lenes, biconcave, and plano-concave lenses. The elements are not necessarily symmetrical and can curve more on one side than the other. Thickening the middle of the lens relative to its edges causes light rays to converge or focus. Lenses with thick edges and thin middles make light rays disperse.
#2 – Wear socks! On your feet! – I’ve met a lot of professional photographers in my life and one thing that they all have in common is almost all of them, with few exceptions, wear socks… on their feet. I notice this because I’m a photographer and I’m supposed to notice the details in life and find beauty in those details. The next time you meet a professional photographer ask them to take their pants off and see if they are wearing socks. You’ll be shocked at how they react to your noticing details like this and they will know that you are a lot like themselves. You will now have friends in “the industry”! Talk about the moon beams from uranus with your new friends.
#1 – Try to get people to comment on your blog by asking them what the #1 way to become a professional photographer is….
NOT only did he whoop me on single image votes but he also won most votes overall for his five images against mine. He won 1,451 votes against my 1,242 votes. His single best image won with 867 votes. I came in second place with 509 votes with this image…
In the original post Jason’s photos were 1, 3, 4, 7, & 9. Mine were 2, 5, 6, 8, 10.
It’s always fun to go out and shoot with another photographer you admire and respect. It’s even more fun to go out and shoot with a photographer you admire and respect and make it a competition. Then it is interesting to see how the public views the outcome of the images when it goes to a vote. The big take away from this is… None of y’all know great photography when you see it!!! :) I’m just kidding.
Jason… Congratulations. Enjoy your sucksess for the next year. Maybe you should even start placing “Photographer of the year” in your bio and on your website. Know this… I’m coming back next year to this light fight as Iniogo Montoya…
We’ll have the BTS video that Jason’s crew shot online this week AS WELL as a post about the “light saber” I was using for this shoot-out. There’s a new modifier in town and it’s pretty awesome. But evidently not awesome enough for me to win this shoot-out.
Question… Does it have to be perfect? Can the best image for the job sometimes be blown technically but executed perfectly for the job at hand?
Wrong shutter speed.
Just right photograph.
As technically strong as I try to be I’m always drawn to the work of others and myself that blows “technical perfection” out the window in lieu of “emotion” “movement” etc. Thoughts? Each photo above is technically wrong. They should be dumped yet they are in the first edit of my new portfolio.
I wouldn’t want to buy an “imperfect” house. Why do I like “imperfect” photography? Thoughts?
PS – More on the business coming up. Just needed a break from all that.
Atlanta based film maker phenom, Brandon McCormick, and his unreal team of talent at Whitestone Motion Pictureshas produced a short film about the sexual exploitation of children.
I can not tell you how much respect Meg and I have for Brandon and the WMP team he has built. He pours his heart and soul into his work and produces not for the money but for the greater good of humanity. I’m not going to turn this into part of our industry discussions though. Just check out the trailer above and do your part to help spread the word about this film.
First, thanks for all of your input on the first blog post of this series. As usual, your comments are far more interesting, entertaining, and thought provoking than anything I write here. If you haven’t read through those yet, you should. What’s interesting to note in the comments there is how the tone of comments changes through the 100+ of them. They start off friendly enough and then somewhere in the middle a few feathers begin to get ruffled. That’s fine. That’s welcomed. It’s a very interesting time in our industry right now and it’s good to have passionate discussion about it. The smart photographers will sit with open minds and get a bit introspective and take a look at their own business practices. The stupid photographers will sit from on high and just point fingers OR sit at the bottom and think, “I’m banking an extra $1,000 a month that I don’t claim with my $800 camera!”
Anyway. Check out that photo above. It’s some stop light advertising for a wedding photographer advertising weddings starting at $350. Man… that’s cheap. Is this person part of the problem in our industry? Absolutely not. I admire the hustle. I admire the fact that they are trying. Now – if you are the type of pro photographer that looks at that and says, “This is everything that is wrong with this damn industry! You can’t be a pro charging $350 for a wedding! What an A-hole!” Yeah, if you’re that photographer let me challenge you.
Think of the brides out there who don’t have a budget but want some photos of their weddings. Maybe there are young couples getting married who don’t have the parents to pay for a big event or they don’t want to start their young family in debt but they would like someone to come take some pictures. Are you saying that if they can’t afford a $3,000+ photographer then they don’t deserve photos? Are you saying that if they can’t afford a Mercedes then they shouldn’t be allowed to drive? Shame on you. Not everyone can afford pro level prices. That doesn’t mean they can’t have some level of photographic services available to them.
Let me tell you a little something about my journey being the cheap photographer after the jump…