Assignment :: Father & Son photos for my friend Chad Shearer.
Gear Used :: Nikon D3 with Nikon 105mm f2 lens.
Lights Used :: Available window light with reflectors and scrims where needed.
While I don't market family photography I end up shooting a lot of portraits for family and friends looking for original Christmas presents. My friend & kick a$$ graphic designer Chad Shearer of
Caren West PR came in earlier this week for some photos of he and his son. With the studio at 98% completion, I'm shooting quite a bit in here now. I still have studio blogging to do. I have a lot of things to do. I need 48 hours in each day to catch up right now. Here are some more photos from this session.

Cheers,
Zack
Great shots window light shots Zack. Love the feeling of the second shot and the B&W conversion is excellent. Well done as always.
Love them!! All of them!!
These are stunning! I love the last one. I am so jealous of your windows Zack.
wow. that natural light is PERFECT!
You nailed these Zack. Great work! Can’t wait to hear more about the new studio.
Awesome images. Very cool as always!
Colors popping! They look great!
[...] Source and Read More: zarias.com [...]
Me likey the blue background shot. Great texture.
Zack – do you notice the 105 f2 is way more awesome wide-open with the full-frame sensor (of the D3)? I love the look I get with my D100/D200, but I figure the focus fall-off would be much better with full-frame.
These are simply outstanding, well done. What are your thoughts on the D3 AF system?
@Steven – I love it much more on a FF sensor.
@Ken – Other than the AF points not extending to the edges of the viewfinder, I love the D3 focus system.
Nikon really has the best AF system on the market. I don’t mean to bash Canon, but I have stood side by side with many a Canon shooter at workshops and I can lock on in a lot of low light situations where Canon can’t.
Cheers,
Zack
Zack, the Black and White photos in this post and the Elekta post are outstanding. What are you doing to get such awesome conversions? Great work, glad to see you posting again and can’t wait to see the finished studio.
@Tim – The B&W conversions are typically done in LR. For the Elekta post below I did those in Photoshop with the B&W image adjustment in CS3. I use the default settings with that tool.
I always find that the contrast drops when I convert a color image in either LR or PS so I always give the image a boost of contrast in either levels or curves. Levels if I just need to adjust the shadows. Curves if I need to tweak the shadows and midtones.
Cheers,
Zack
Beautiful portraits Zack.
Can’t wait to see some images of the studio…must be exciting!
Cheers,
Janine.
I really think the last two images have awesome color combos and facial expressions, great job.
Hey Zack,
Awesome work here.
What kind of reflectors do you use? I’ve always wanted to have available light shots that look like this. Was there a lot of light, I assume? Did you do much tweaking in Lightroom to get your pictures to “pop”? I’d love to hear more about your technique if you have a chance.
Thanks,
Justin
P.S. I know you’ve heard this from dozens of people already, but I’ve watched my OneLight DVDs several times now and still get something out of them. It’s truly been a wealth of information for me and helped me take my photography places I never imagined! Thanks so much!
@Justin – I have a 60″ pop-up reflector on a stand. One side is silver, one side is white. I typically use the silver side. I also have 2 4×8 sheets of foam core that are scored down the middle on the long side so that they can be slightly bent and stand up on their own. Those make pretty nice reflectors.
I wouldn’t say that I do “a lot” of post on them in LR but my RAW images are never ready to deliver right out of the camera.
I adjust highlights and shadows first. I make sure I’m not clipping any information in the highlights or very little at least. I don’t want to see any channels blowing out in the skin for sure. Then I make sure there is a deep pure black somewhere in the photo. My files tend to come out very flat from the camera so the shadows need to be boosted.
Once the highlights and shadows are in the range where I want them, I’ll slightly tweak the highlight recovery and fill light. Even though I don’t have any highlights blown, I have found the recovery slider is nice way to just “tone” the highlights down a bit. The fill light can give a boost to the midtones.
Now that exposure is set I adjust the color. I’ll start with the WB slider to get it in the neighborhood. I’ll tweak the tint a little. Then I go into the camera calibration tab and bring the red channel saturation down and take the hue more to the yellow side of the spectrum. My Nikon files are always too red for my taste.
From here I may add a little vignette, a small amount of sharpening if needed, and I’m done. I apply those settings to the rest of the similar images and move on to the next set up.
Cheers,
Zack
PS – I’m glad you have enjoyed the DVDs!
aaaaaah…the light! it is GORGEOUS!!!!
You are the man! and after 3 trips through the DVD I’m still picking up pearls. Ever think about writing a book???
Hi Zack!
Love your work! Its just amazing and very educational too. I haven’t seen the use of light like this anywhere else.
Am in the process of purchasing a pro camera, one with a full frame sensor. Why nikon over canon?
~Cheers!
@Ali – Why Nikon? No real reason. I’ve always used Nikon. I like the ergonomics better than Canon and the AF system is about 100% better than Canon. Especially in low light.
Other than that, they are both super fine camera systems.
Cheers,
Zack
Zack,
The 105 F2 is a get lens. Sadly mine was stolen last week. Quick question: how do you generally determine how much defocus you use? Is it a hard and fast rule or just whatever strikes you at that moment?
Thanks,
Bill
Zack when doing available light shots indoors since it is cold out now what is the best way to do family portraits. All I have is a Wescott 60in – 43in and 28in softbox (Apollo of course)
Canon Speedlight 580ex II and ONE AB 1600 What would you do to make these look good I shoot with a Canon 5D , Lenses 70-200 f/2.8 IS
24-70 f/2.8
85mm f/1.8
Also where do you get your back grounds
@Bill – That sucks about your lens! Sorry to hear that! I’ve tested the defocus control over and over and just set the dang thing to zero. I never use that feature.
@Chad – I buy them at fabric stores.
Cheers,
Zack
Zack can you do a video for us sometime so we can see you in action. Also how about selling your BW technique as an action
Great shots, and thanks for sharing the lens info… very helpful as I’m considering some additions.
Philippe
Zack,
Can you offer a little insight into why you might decide to use natural light for a shoot vs. strobes? Is it just a “I feel like shooting with _____ today” sorta thing or something else? Obviously there are times when one may be required over another, but in this case I assume you had a choice.
Just curious! Excellent work.
Hi Zack! Congratulations by your shots!
I like very much all images, but, I have a doubt with the second B&W, the face of the child is not complete: What you would say to a any father if he asks why is not complete the face of his son?
Zack, those portraits are absolutely stunning. All of them. Your friend Chad must be extremely happy with how the pictures turned out. The natural light in your new studio is awesome. Hope I am able to attend one of your workshops next year. You keep surprising me…in a good way
. Still have lots to learn.
Btw, that 105mm lens is amazing. I currently own a nikkor 85mm f/1.4 and am using it with a D300. I might be able to get a 105mm dc for a reasonable price. Do you think it’s worth it on a DX?
Regards,
Okke
You must have gorgeous window light to work with. These photos are as good as it gets. I continue to admire your work. Your DVD is pure gold. I have watched it numerous times.
@ Okke – I prefer it on the FX body. The DX crop makes it feel too tight for me. But that is subjective. If you feel your 85 is too wide then try that 105.
Cheers,
Zack
@Jeremy – Stobes vs. Available Light – That sounds like a great basis for a full blog post. I’ll work on that this month.
Stay tuned!
Cheers,
Zack
These are some kick-ass shots, Zack! Your friend must have been really stoked. Your use of light continues to inspire me! Happy holidays
Zack –
i’m an old portfolio center ad school friend of chad’s and an art director in chicago. i absolutely love the images. the natural light is gorgeous and the use of negative space is beautiful. (I also love the prop styling!)
ciao.
-T
Beautiful. The one of him biting his lip brought an instant smile to my face. I am so glad to have found your site through Melissa Jill.
Zack,
The blue and black (patterned) backdrops are awesome! I know some background places sell these types of things, can you be more specific on where you get yours?
Hi Stephen,
The blue BG is stained concrete. The black and white is a piece of material bought at a local fabric shop. The pattern is commonly referred to as “damask”. It can be found in a number of colors and pattern variations.
I often joke that I’m in my damask period because I love this stuff. I love it too much. I just told my wife, Meg, that I probably should burn that piece above because I use it too much.
Cheers,
Zack
Thanks Zach, you’re a legend!
Love those pics! The B&W is excellent!
Greetzz Julie