Ok. Are you ready to get your nerd on? Calling all pixel peepers! Here are the images for the modifier run down we went through on Day 03 of the creativeLIVE studio lighting class. I’m not sure which took me longer… Shooting all of these images during the class or prepping them for the web.
Before we get started with the images there are some things I want to go ahead and cover with you before you check these out.
This isn’t the most comprehensive light modifier test in the world. It isn’t even half way scientific in approach. There are real issues with comparing modifiers like this. I’m telling you right now that this isn’t the true proper nerded out way of doing this kind of thing. While we strove for consistency and Dan and I spent some time in the morning before the broadcast testing things out, remember there can be variations 1/3 of a stop from pop to pop with those Alien Bees. That’s why they are affordable. With all that said let me now say… if you run through some modifiers in this way you’ll learn a lot. I do this kind of stuff when I’m checking out a new modifier.
Why do I feel the need to give this big disclaimer? To ward off the measurebators that are about to descend on this post. The guys who look at photos on the photon level and lose all the soul of this craft. I like to nerd out from time to time and discuss CMOS vs. CCD but never at the cost of losing the soul of the craft. So… enjoy this comparison. There are things to learn.
Things to look for ::
• Take a look at how the modifier effects the exposure on the subject and the background.
• Watch the transition from highlight to shadow. How hard is that line?
• Take a look at the catchlights in the eyes.
• How effecient is the modifier in terms of lost light from the standard?
• Look at the difference in the quality of light when some of them are moved closer than the standard shooting point.
• Moving the light closer to the subject changes exposure so I didn’t list the change in aperture for those images since they deviated from standard position.
I’ve highlighted a few areas here to watch in the photos below… Look at this crop between the 7′ and 4′ Octabanks…
Notice how the transition from highlight to shadow is much more gradual with the larger 7′ Octa. Notice how the shadows are more open with the 7′ as compared to the 4′. Notice the 4′ Octa has a brighter catchlight. Notice they have about the same effect on the exposure of the background. The background is important to watch with these. There are times I pick a modifier based on how it is going to throw light on or flag light off of the background. Here is the same image without the circles. From modifier to modifier some areas will change dramatically and some will barely be noticeable.
The following image is the “standard” for this test. It is an Alien Bee with its standard 7″ silver reflector in place. The standard exposure for this at this distance is f13. We then paraded different modifiers off of the same light stand position. At times I moved the stand to demonstrate a distance I would more likely be using that particular modifer.
Here is a crop of the 7′ Octa (our largest modifier) in comparison to the standard 7″ reflector. Notice how light from the Octa wraps all the way around to her ear.
Want to pixel peep? Here you go!
If you look at a few of these and say “I can’t really tell any difference between the $30 modifier and the $800 modifier!” then note the disclaimers above. There are ways of shooting a shoot through umbrella in this kind of situation and make it look a whole lot like the Octabank. Then there are times that one will absolutely run circles around the other and the difference is night and day. To walk through each of these drastic and subtle usage changes would have taken the entire three days of teaching. Your goal is to get to know YOUR modifiers and be educated about the basic differences between different kinds so you can make educated choices the next time you go buy one of these.
As Bill, one of the creativeLIVE crew members, said so well… “There’s no morality in choosing a light modifier.” Let that sink in. Sometimes I pick a modifier based on… “Ummmm. How about…. Uh. This one.” Other times I walk in a room and I know that I want my 28″ Westcott Apollo and there is no other modifier in the world that will do the job. Sometimes I pick a modifier because it is more efficient with light than another that is similar to it in look. Note how the reflective umbrella lost 2 stops of light as opposed to the 4′ Octa. Sometimes that stop is a make or break situation on a job.
At times there’s “just something” about one modifier over another. You can’t quite put your finger on it but you just like “that thing” about that modifier. That’s how I feel about the 22″ beauty dish. I could get a very similar look from the 28″ Apollo or a small silver umbrella but there is just “something” about how the light feathers and falls off with the beauty dish that makes me pull that out over a small softbox. Sometimes I just like the catchlight more.
I like circles.
Other times I like rectangles.
There’s not a moral issue on the table here.
Another issue with this test is we aren’t shooting full length. You’d see a BIG difference between a 60″ umbrella and a 7′ Octa when shooting full length. I tested that out and went back and forth on it. The reason I decided against it was our awesome subject, Lou, would have been standing in one spot for a long time. That little stool she was on was bad enough. I felt standing for as long as we needed to run through this would have been too much to ask. Remember, we are in the service industry. Serve your clients. Make them as comfortable as possible. I guess I could have had her lean on something. That would have been a light stand or a broom handle. Neither make for the best props.
My last caveat to all of this… Go shoot your own lighting tests! Seriously. You’ll learn so much doing this. Change the distance, the angle, the height, etc. Watch what your modifiers do full length vs. head and shoulders. LEARN YOUR GEAR!!!
All the images and download links after the jump….
Get slightly larger sizes of these in no certain order from my Flickr page.
Download the images from this post so you can sort them in your own viewer and put them side by side as you wish.
Why didn’t I add the Softlighter? Barndoors? Snoots? Brolly Boxes? Halos? Rings? Bed sheets? Well, A) I don’t use all of those. B) I’d still be there testing if I tried every modifier in the world. At the end of the day this is what I want in my bag…
3 60″ Impact convertable umbrellas
1 50″ Westcott Apollo softbox
1 28″ Westcott Apollo softbox
4 Standard grids (40, 30, 20, 10 degrees)
Once the camera is paying bills and leaving some left over at the end of each month I added these…
2 12×50″ Westcott Stripboxes w/ egg crate grids
1 22″ Beauty dish with sock and 30º grid
1 7′ Westcott 7′ Octabank
Find the list of gear (with links) I’m using here.
With these tools I’m good. I don’t think there is another modifier out there on the planet I feel that I need right now. Oh, a bit superfluous but sometimes enjoyed… The stupid looking Moon Unit for the Alien Bee ring flash. That thing looks stupid but gives good light.
ETA :: All I did in post on these images was convert them to B&W. I didn’t touch exposure, contrast, etc. I test lighting with B&W images because it helps me better see what the light is doing.
PS – Coming up soon in relation to this creativeLIVE studio lighting event ::
• A studio tour of my space in Atlanta.
• Color management.
• Last thoughts since the event.